BAFTA-winning director Susanna White on Le Carre’s Our Kind of Traitor
A dozen ballerinas pirouette across the stage of Moscow’s Bolshoi Ballet. A muscular male dancer (Carlos Acosta) glides between them. He is exquisite, an arresting vision of masculinity. A glorious leap brings the performance to a close and the audience erupts into applause so loud it sounds like gunfire. As the curtain falls, a group…